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By Marita Casasola

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It is made either without moving the feet or on the pass, but never on the lunge, for in the days when it was practised the lunge had not been invented. Oblique downwards from right to left. Oblique downwards from left to right. Oblique upwards from right to left. Oblique upwards from left to right. Horizontal from right to left. Horizontal from left to right. The stramazzone, or vertical cut, is sometimes employed. ” The true edge cuts 3 and 4, at or below the knee, we do not permit, on account of the danger of inflicting serious injury.

12. Becha cesa....................... Right foot forward, arm extended rather to the right in the position of the hanging guard. ) When the sword is advanced the buckler is drawn in, and vice versa. -There appears to have been an error on the part of the artist in “becha cesa” ; judging from the text the left foot should be advanced instead of the right. " After Marozzo. " After Marozzo. " After Alfieri. " After Alfieri. " After Marozzo. " After Marozzo. In this plate there has been a mistake made on the part of the original artist – according to the text, the left leg should be advanced – A.

After Marozzo. " After Marozzo. " After Marozzo. " After Marozzo. 45 THE ATTACK, The attack is made by cuts with either edge, but it is better to avoid the use of the point. It is made either without moving the feet or on the pass, but never on the lunge, for in the days when it was practised the lunge had not been invented. Oblique downwards from right to left. Oblique downwards from left to right. Oblique upwards from right to left. Oblique upwards from left to right. Horizontal from right to left.

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